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    <title><![CDATA[Ce siteweb a maintenant 4ans, merci pour votre fidélité. ]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/2015/11/ce-siteweb-a-maintenant-4ans-merci-pour-votre-fidelite.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/2015/11/ce-siteweb-a-maintenant-4ans-merci-pour-votre-fidelite.html</guid>
    <pubDate>Sat, 21 Nov 2015 14:39:16 +0100</pubDate>
    <description><![CDATA[This website is now 4 years old, thank you so much for your fidelity ! ]]></description>
        <dc:creator><![CDATA[Admin]]></dc:creator>
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                    <item>
    <title><![CDATA[TERZA PRATICA II]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-terza-pratica-ii-125576178.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-terza-pratica-ii-125576178.html</guid>
    <pubDate>Fri, 27 Feb 2015 11:44:00 +0100</pubDate>
    <description><![CDATA[http://www.vdegallo-music.com/alexandre-rabinovitch-barakovsky-terza-pratica-ii/ ]]></description>
        <dc:creator><![CDATA[Admin]]></dc:creator>
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                    <item>
    <title><![CDATA[// TERZA PRATICA (2012) //]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-terza-pratica-2012-107029838.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-terza-pratica-2012-107029838.html</guid>
    <pubDate>Sat, 16 Jun 2012 20:59:00 +0200</pubDate>
    <description><![CDATA[Production: Disques VDE-GALLO, Rue de l’Ale 31, CH-1003 Lausanne Tél. +41(0)21.312.11.54 • Fax +41(0)21.312.11.34 • info@vdegallo.chwww.vdegallo.ch • www.vdegallo-music.com • © + ℗ 2012 VDE-GALLO Rabinovitch-Barakovsky on his TERZA PRATICA : "Within the... ]]></description>
        <dc:creator><![CDATA[Admin]]></dc:creator>
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                    <item>
    <title><![CDATA[// Highlights from the interview of A. Rabinovitch-Barakovsky by Elena Dubinets (2010) //]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-highlights-from-the-interview-of-a-rabinovitch-barakovsky-by-elena-dubinets-2010-107029658.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-highlights-from-the-interview-of-a-rabinovitch-barakovsky-by-elena-dubinets-2010-107029658.html</guid>
    <pubDate>Sat, 16 Jun 2012 20:51:00 +0200</pubDate>
    <description><![CDATA[I arrived somewhat gradually at the idea of a new paradigm in musical practice, which I called the «Terza Pratica». The fact is, schematically the evolution of the European musical language can be divided into two main periods.The «Prima Pratica» is rooted... ]]></description>
        <dc:creator><![CDATA[Admin]]></dc:creator>
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                    <item>
    <title><![CDATA[// WORLD ECHOES ABOUT THE COMPOSER //]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-the-world-echoes-about-the-composer-107023088.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-the-world-echoes-about-the-composer-107023088.html</guid>
    <pubDate>Sat, 16 Jun 2012 17:24:00 +0200</pubDate>
    <description><![CDATA[World echoes about the composer, Rabinovitch-Barakovsky Rabinovitch is one of today's most interesting composers. His musical language is based on a deep philosophy that one can clearly feel, although he is at the same time totally free from speculative... ]]></description>
        <dc:creator><![CDATA[Admin]]></dc:creator>
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                    <item>
    <title><![CDATA[// MUSICAL ANTHROPOLOGY, English/French //]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-musical-anthropology-anthropologie-musicale-107016925.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-musical-anthropology-anthropologie-musicale-107016925.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:41:00 +0200</pubDate>
    <description><![CDATA[///Rabinovitch-Barakovsky is one of the first composers of minimalism (from 1969 and his “La Belle musique n.3” (1977) is the first work for orchestra in the minimalit field). He also started connecting the minimalist vision with spiritual quest/// "Minimalist",... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//SIX ETATS INTERMEDIAIRES, 1998, TIBETAN BOOK OF THE DEAD// English/French.]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-six-etats-intermediaires-tibetan-book-of-the-dead-107016891.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-six-etats-intermediaires-tibetan-book-of-the-dead-107016891.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:41:00 +0200</pubDate>
    <description><![CDATA[Bending, like the demiurge of the Timaeus, both ends of the "rectilinear" course characteristic of the classical symphony, Rabinovitch-Barakovsky achieves the cyclical structure of the"sinfonia" Six états intermédiaires (1998), a vast reflection "on the... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[// THE TIBETAN PRAYER(1991-92)// English&amp;Deutsch]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-the-tibetan-prayer-1991-92-das-tibetanische-gebet-107016865.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-the-tibetan-prayer-1991-92-das-tibetanische-gebet-107016865.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:40:00 +0200</pubDate>
    <description><![CDATA[The leading sentiment in this cantata, or rather, this long ritual prayer, is the theme of compassion, which is the cornerstone of Buddhist and Christian consciousness. I was interested in trying to musically explore this theme, which I saw from the archetypal... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//TROIS INVOCATIONS(1996)/english/français/deutsch//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-trois-invocations-1996-english-francais-deutsch-107016766.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-trois-invocations-1996-english-francais-deutsch-107016766.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:36:00 +0200</pubDate>
    <description><![CDATA[The main inspiration behind the quartet with celesta Trois Invocations (1996)"might have come from three key themes in certain Eastern spiritual traditions: Suffering (1st movement), Desire (2nd movement), Release (3rd movement). This state of reflective... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//THE TANTRIC RITUAL &quot;MATHUNA&quot; (2005)/english/français/deutsch//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-the-tantric-ritual-mathuna-2005-english-francais-deutsch-107016732.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-the-tantric-ritual-mathuna-2005-english-francais-deutsch-107016732.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:36:00 +0200</pubDate>
    <description><![CDATA[Sinfonia concertante for orchestra The significance of the "Maithuna" ritual in Hinduism and Tantric Buddhism is ambivalent. On one hand, it can mean the sexual ritual during which the woman is deified by her partner and the sexual act thus takes on a... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[// ON ARITHMOSOPHY English/French/Deutsch //]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-on-arithmosophy-de-l-arithmosophie-uber-die-arithmosophie-by-rabinovitch-barakovsky-107016642.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-on-arithmosophy-de-l-arithmosophie-uber-die-arithmosophie-by-rabinovitch-barakovsky-107016642.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:33:00 +0200</pubDate>
    <description><![CDATA[How does one make sense of the apparent chaos of cosmic whirls described in Taoism, and of the conflicting movements of negative and positive energies running through the universe? How does one make sense of the movements of the soul experienced by humans... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//INTERVIEW BY MARTIN ANDERSON IN FANFARE MAGAZINE//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-interview-by-martin-anderson-in-fanfare-magazine-107016566.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-interview-by-martin-anderson-in-fanfare-magazine-107016566.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:31:00 +0200</pubDate>
    <description><![CDATA["I also had to reflect on the musical mythology that has benn form ed over the last three centuries, frome 17th to the 20th, which is based on tonality and which gave a predominance to the expressive side of music. You know the theory of affects that... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//INCANTATIONS/english/français//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-incantations-english-francais-107016499.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-incantations-english-francais-107016499.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:29:00 +0200</pubDate>
    <description><![CDATA[Incantations (1996) One day as I was speaking with Maroussia Lemarc'adour, the "grande dame" of the Swiss musical scene (who passed away at the age of 80 ten years ago, and was the Swiss equivalent of Nadia Boulanger), our conversation spontaneously veered... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//DIE ZEIT(2000)/THE TIME/LE TEMPS//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-die-zeit-2000-the-time-le-temps-107016439.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-die-zeit-2000-the-time-le-temps-107016439.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:28:00 +0200</pubDate>
    <description><![CDATA[Die Zeit (2000) Musik und Zeit sind unauflöslich miteinander verbunden. Das ist eine allseits bekannte Wahrheit. Allerdings nimmt die Entwicklung des musikalischen Diskurses im Laufe der Zeit verschiedene Formen an: a) linear und in eine einzigartige... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//RABINOVITCH-BARAKOVSKY'S SELECTED WORKS//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-rabinovitch-barakovsky-s-selected-works-107016043.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-rabinovitch-barakovsky-s-selected-works-107016043.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:19:00 +0200</pubDate>
    <description><![CDATA[Anthology of Archaic Rituals, In Search of The Center Les mots de Andrei Biely (1969) cantata Le point d'appui trouvé (1970) chamber music Happy end (1972) electro-acoustic piece La Belle Musique n°2 (1974) chamber music Perpetuum mobile (1975) amplified... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//POURQUOI JE SUIS SI SENTIMENTAL(1978)/english/français//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-pourquoi-je-suis-si-sentimental-1978-english-francais-107015999.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-pourquoi-je-suis-si-sentimental-1978-english-francais-107015999.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:18:00 +0200</pubDate>
    <description><![CDATA["POURQUOI JE SUIS SI SENTIMENTAL" (1978) for solo piano Did the image of an all-powerful Napoleon hold such fascination for Nietzsche that this human "superpower" can be recognized behind his concepts of desire for power and for superman? The thought... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//MUSIQUE POPULAIRE (1980)/english/français//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-musique-populaire-1980-english-francais-107015944.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-musique-populaire-1980-english-francais-107015944.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:16:00 +0200</pubDate>
    <description><![CDATA[MUSIQUE POPULAIRE (1980) In 2005 I considerably revised this work, initially written for 2 pianos (I also wrote a version of "Musique populaire" for 2 pianos and orchestra in 1994). To this final version I added 2 marimbas, 2 vibraphones and one celesta,... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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    <title><![CDATA[//LES TROIS GUNA (2001)/français//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-les-trois-guna-2001-francais-107015903.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-les-trois-guna-2001-francais-107015903.html</guid>
    <pubDate>Sat, 16 Jun 2012 14:09:00 +0200</pubDate>
    <description><![CDATA["LES TROIS GUNA" (2001) for amplified flute, amplified clarinet, amplified clavinova, amplified vibrafono+marimba+campanelli (1 percussionist), amplified piano (Commande de l'association "Musique Nouvelle en Liberté") Dans la mythologie hindouiste, les... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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                    <item>
    <title><![CDATA[//Jiao (2004)/english/français//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-jiao-2004-107014939.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-jiao-2004-107014939.html</guid>
    <pubDate>Sat, 16 Jun 2012 13:45:00 +0200</pubDate>
    <description><![CDATA[Jiao (2004) for 11 strings, amplified celesta, amplified vibraphone, amplified clavinova The work "Jiao" was composed in Geneva in January 2004 for the chamber orchestra "Musiques nouvelles". It is an integral part of the global work called "Anthology... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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    <title><![CDATA[//Discography//]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-discography-107014888.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-discography-107014888.html</guid>
    <pubDate>Sat, 16 Jun 2012 13:43:00 +0200</pubDate>
    <description><![CDATA[Terza Pratica II http://www.vdegallo-music.com/alexandre-rabinovitch-barakovsky-terza-pratica-ii/ Terza Pratica (2012) http://www.vdegallo-music.com/terza-pratica-alexandre-rabinovitch-barakovsky-orchestral-works-chamber-music-1/?lang=fr Rabinovitch-Barakovsky... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
    </item>
                    <item>
    <title><![CDATA[Alexandre Rabinovitch-Barakovsky]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-alexandre-rabinovitch-barakovsky-107014822.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-alexandre-rabinovitch-barakovsky-107014822.html</guid>
    <pubDate>Sat, 16 Jun 2012 13:41:00 +0200</pubDate>
    <description><![CDATA[Acclaimed by critics and audiences as one of today’s most interesting composers, as a first-rate conductor and as a gripping musical personality, Alexandre Rabinovitch-Barakovsky is one of the first composers of minimalism since 1969 and he started connecting... ]]></description>
        <dc:creator><![CDATA[rabinovitch-barakovsky]]></dc:creator>
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    <title><![CDATA[&quot;Récit de voyage&quot; (1976)]]></title>
    <link><![CDATA[https://www.rabinovitchbarakovsky.com/article-recit-de-voyage-1976-107014523.html]]></link>
    <guid>https://www.rabinovitchbarakovsky.com/article-recit-de-voyage-1976-107014523.html</guid>
    <pubDate>Sat, 16 Jun 2012 13:29:00 +0200</pubDate>
    <description><![CDATA[Cette année 1976, deux ans se sont écoulés depuis mon émigration de l'Union Soviétique. Ce constat m'a fait réfléchir sur le sens caché de la parabole du fils prodigue contenue dans l'Evangile selon saint Luc. J'étais en train d'y penser lorsque se sont... ]]></description>
        <dc:creator><![CDATA[Admin]]></dc:creator>
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